Concept Of Positve Psychology On The Movie Pursit Of Happiness

Client s NameDateProfessor s NameCourseIntroductionHistoric on the wholey , the Statesns have flocked to theaters to find happiness apply and superstares in film . Film producers were enormously successful at picture in audiences and shake audience . In y turn uphful historic period , however just virtually movies have been more depressing than inspiring . Their quality has been mediocre at top hat . Nevertheless , a few movies of this decade have garbled away from averageness and provided America with cinematic adeptes The bump intoking of triumph is one of these . therefore , it is one of the few movies of this decade that has the authority to remain relevant to viewers in decades to comeThe Pursuit of Happyness differs from early(a) movies , partially because it subscribes to well-nigh of the myths that the old , classical films of prior decades followed . In addition to this , the Pursuit of Happyness portrays sadness and frustration , with away scaring or depressing its audience . moreover , it is funny , with let step to the fore being frivolous . Mean magic spell it is tasty , while at the same time realistic . surpass of all , it is inspiring . It is the sort of film Americans can timbre to for politesse and hope that is sadly lacking in most of today s filmsThe MythsAccording to Sociologist Herbert J . Gans , until the 1950s , movies were the main staple of America s amusement diet (Gans , 1964 br.327 . At that time , says Gans , Hollywood films followed a unique(predicate) formula , which consisted of four myths . The first is what Gans calls moral wizardism (Gans , 1964 ,.327 . which involves a hero striving to bring approximately nifty or loving justice in a lawless engage . The second , which Gans labels y exposehfulness , is the myth that young people had t o desex past an erroneous notion that thei! r elders were wrong to bring about their goals (Gans , 1964 ,.327 .

The third Gans labels romance , which suggests that the best reward a hero can achieve is the love of someone attractive and cordial . The fourth and perhaps the most powerful , Gans labels the Justification of loving mobility (Gans , 1964 ,.327 . According to Gans , this is the myth that people can pursue wealth without being corrupted by it (Gans , 1964 ,.327Departure from the formulaThe films of the 90 s depart from these myths . Films relish American Beauty have no real hero . No man striving for a social nigh . Instead the main character spends most of his time examine to seduce his high-school-aged daughter s friend . Love is not a reward worth date stampking for anyone . The things that American Beauty s characters see as beautiful are a bag in the street , a dead man and sex . Children do not gain a better respect for their elders . and so , at the end of the movie , the adults are painted in a much worse light than the children One turns out to be a gay Nazi , another turns out to be having an affair that is both silly and revolting . The deferral nearly becomes a pedophile Social mobility is not a goal for...If you want to get a full essay, floorshow it on our website: OrderCustomPaper.com

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